LG-0 | Introduced 1958 | Discontinued 1973, LG-1 | Introduced 1947 | Discontinued 1968, LG-2 | Introduced 1942 | Discontinued 1962, LG-2- | Introduced 1949 | Discontinued 1962, LG-3 | Introduced 1946 | Discontinued 1963, B-25 | Introduced 1962 | Discontinued 1976, FJ-N | Introduced 1963 | Discontinued 1970, F-25 | Introduced 1963 | Discontinued 1970, B-15 | Introduced 1967 | Discontinued 1970, Brazilian rosewood rectangular through bridges, 2 screws in the bridge with MOP dot covers, Basically the same as LG-1 with a mahogany top, Single plastic tortoise shell binding top and back, Narrow neck design with 14 degree headstock angle, Same basic guitar as LG-2 with average wood, Wood imperfections covered by a dark sunburst, Tall scalloped braces change to low-profile rough cut, Enlarged rectangular bridge with closed slot, Fire striped plastic pickguard teardrop shape, Last use of the Banner decal on headstocks, Basically the same as an LG-2 with better materials, Bottom belly rosewood bridges with adjustable saddles, Back, sides and neck finished in walnut stain, Body shape: 16 wide, round shoulder dreadnought shape, Top: Select spruce, 2-piece bookmatched with scalloped X-bracing, Neck: mahogany, single piece, unbound, 19 fret, dot markers, Bridges: Rosewood belly-down. The original V shape of the necks of the J-35s was replaced by distinctly round necks (baseball bats) and a tear drop pickguard. See more ideas about banjo, guitar inlay, ukulele. Depending on the selected source, there is disagreement about these numbers. There is a steel tone ring on the maple rim, and the rim has a maple cap. For more detailed information, get the following book: The Larsons Creations Guitars & Mandolins by Robert Carl Hartman. It also had a black veneered headstock (front and back) and a black inlay in the back of the neck. This is a high-quality instrument. The top and back bindings were black plastic with red line highlights. It might be a Fairbanks or Stewart, but there is no name anywhere on the instrument. Silkscreen logos - Low end models. Style Designations (There are many exceptions to the following). of their later banjos had elite tailpieces, Orpheum-like hardware, and long,
The binding on the top is b/w. 1934 was in the depth of the depression, and at $60 without a case, most families put food ahead of guitars. serial number impressed to verso, 60 cm long Australian zither . In general, higher model numbers meant more binding and ornament. In 1947 the name changed to the J-200 and the standard back and sides became highly figured maple. Where no serial numbers are shown they simply are not known. They were now able to get better materials. 1973 $895 L-5S a few instruments shipped and cherry sunburst is the only available finish. bands even in the early 1890s. cases they carry no identifying name at all. Please read the section on J-35s and J-55s as the J-45s and Southerner Jumbos replaced the earlier models it was a natural evolution. There were 1424 made. The LG-Series is 2 narrower than the J-Series. The bracing was revised to accommodate the moustache bridge and generally heavier than earlier models. Considering that Gibson was using a double X bracing for most of its other flat top guitars during that period, these instruments, with their modified fan bracing, stand out as some of the better sounding Gibsons of the time. Cherry Sunburst is still available. The selected tuners varied randomly by model and year. Laminated maple back and sides is discontinued (FON batch 2828 used maple back and sides). 1974 $895 This was the best sales year for the L-5S shipping 555 instruments. The Aria 921C was a good quality 5-string banjo made in the early 1970s. 1979 $1149 Antique Sunburst added to Fireburst, Cherry Sunburst and Natural. Sunburst finish changes slightly: a cremona brown fading from the center amber to a reddish brown perimeter. Good size logs of spruce were government controlled during the war and were not easily available shortly after. In fact, he was part of a team of scientists paid as consultants by Gibson for their input on a project to create the finest sounding guitar based upon sound scientific logic, theory and research. Tuners, hardware and tailpieces were probably purchased from Lyon and Healy who had a factory just down the street from the Larson shop. >I see no collectors market for banjos like yours.<. 585 Grand Concert: rosewood back & sides, MOP, colored wood appointments and a Tree-of-Life fretboard inlay. Identify vintage banjo fleur de lis inlays on headstock & carved heel . This is a headstock that tapers from narrow at the top to slightly wider at the base (the reverse of the traditional Gibson headstock shape). See more ideas about banjo, guitar inlay, mandolin. JR, jumbo size guitar with East Indian rosewood back & sides, chrome tuners. George Youngblood of Youngbloods Music Workshop. Yes, paging Scott to the Collector's Corner, please. They are maintained by Donna LoPrinzi in Clearwater Florida. At the time, the Nick Lucas model was the largest flat-top Gibson offered. To confuse matters, they also manufactured Bacon banjos that had been developed by Fred Bacon: the Professional, the Orchestra and the Blue Ribbon. Our 19th Year * Sign Up Now
The Kalamazoo plant kept going for a few years as a custom-instrument shop, including the Mark Series instruments, and was ultimately closed in 1984. Gibson started making banjos in 1917. 1916 into 1921: the pin to the bridge was dropped. In 1923 it appears that Gibson began to assemble A-2s with left-over blonde tops from A-3s. The introduction of a truss rod cover to the headstock caused the inlay patterns to adjust as well. Not many were sold and the production run was therefore limited to 2 years. Its difficult to positively
Notable endorsers of this model include Leon Redbone. The following site helps identify the labels with the date and location of production: All Gurian Guitars have serial numbers stamped on the neck block in characters visible through the soundhole. Back & Sides: Mahogany but some released as Brazilian rosewood. These had black plastic laminate headstock overlays with Bacon engraved in blockletters and a small, metal plate engraved Bacon Folk Model. Gibson Saga. 3 hrs, 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo' 3 hrs, 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head' 4 hrs, '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck' 4 hrs, I see no collectors market for banjos like yours.<, We use cookies to ensure that we give you the best experience on our website. George Gruhns Guide to Vintage Guitars by George Gruhn and Walter Carter. As a consequence, the details were grand in scale and the bindings high in contrast to look good in black and white on the silver screen. MK-53 models were maple back & sides, rosewood fingerboards with dot inlays & nickel hardware. The necks and heels were rounder. The sides and back were tinted mahogany with a sunburst red spruce top. Internally, changes from the J-35 included strengthening the top bracing by moving the X brace 1 additional inch behind the soundhole. He was also a guitar enthusiast with a passion for physical and psycho-acoustics. target no need to return item. The body dimensions basically match the LG-series: 14 1/8 wide by 19 1/2 long by 4 1/2 deep. Some laminated maple necks with two walnut stripes down the center (5 piece neck), most with no truss rod (war time meallocations), Neck shape large and round (Baseball Bat) due to lack of truss rod, Poplar neck blocks. He lived in Illinois all his life. F/FF = Factory code (No factory designator for some 1993 and earlier models) Y/YY = Year of manufacture (Single digit for some 1997 and earlier models) MM = Month of manufacture. Weve seen some serial number lists that are as much as 8 years out-of-sync with this list. Approximate Chronology (there are always exceptions): There were a few natural finished J-45N models made during 1942. MK-72 models were rosewood back & sides, 3 piece ebony/rosewood fingerboards with dot inlays & nickel hardware. Made in USA. For example: In general: Bacon serial numbers begin in 1906 (1 and 2 digit) and run consecutively until the sale of the company to Gretsch in 1940 (5 digit). The braces were generally thin and numerous compared with other manufacturers. Augustino & Thomas LoPrinzi Guitars usually have the date of manufacture on the label. The individual artist's touch on the . They are essentially an Advanced Jumbo with minor compromises: they filled a gap between the J-35 and the J-55. Introduced 1967, Basically an more economical LG-0. During the war years women played a greater role in manufacturing while young men were fighting overseas. Materials and methods of production were reviewed and revised. It was available in red, black or two-tone sunburst finish, fleur-de-lis under The Gibson; Handel inlaid tuner buttons prior to 1916 (WWI) with a dotted + in each button. The original price in 1942 was $45. Body designation Style designation, Serial number. Though it was discontinued in 1942, the last Advanced Jumbo left the Kalamazoo plant in 1940. It was a refinement of the slope-shoulder design of the original Jumbo but slightly deeper: 4 13/16. The narrower guitar sizes allowed for available materials. Late 1974 gold covered recording pickups are replaced with humbuckers. The appointments matched the MK-35 but the bracing was modified to accommodate the additional string tension of 12 strings. Also, the first batch of J-45s had more binding both on the body and soundhole. The appointments of the Southerner Jumbo included more top binding and an additional set of rosette rings. Identify vintage banjo fleur de lis inlays on headstock & carved heel. Bridges: Ebony Sometimes with a flattened pyramid rectangular bridge shape. Gretsch was contracted to make banjos for them. Kay company banjos were normally not that high-quality but this one is different. string peg perch is typically carved out from the side of the neck as shown
If1970s, would be Japanese, more likely. beautiful banjo. Please see the, Epiphone: Current Serial Number Information, Gibson J-35 & Advanced Jumbo Flat-top Acoustic Guitars, Gibson Jumbo Deluxe and J-55 Flat-top Acoustic Guitars, Gibson J-45 and J-50 Flat-top Acoustic Guitars, Gibson Southern Jumbos and Country Westerns, Gibson J-160E Flat-top Acoustic-Electrics, Gibson CF-100 Flat-top Acoustic-Electrics, Gibson MK Series Flat-top Acoustic Guitars, Gibson L-5S Solid Body Electric Guitars, Guitars & Stringed Instruments General Information, Care & Feeding of a Wooden Musical Instrument, Identifying Vintage Guitars, Banjos & Mandolins, 41530 Transition from 12 to 14 fret necks, 1 Banjos from various contracted builders, 2028 Earliest reference to Forrest Dale VT, 30620 Symphonie, Sultana, and Senorita introduced, 35341 Gretsch purchases Fred Bacon Banjo Company. Scott Zimmerman may be able to shed some light on this. How to customize a Huber Banjo; . side of the top of the peghead (see last set of pictures below). CUSTOMER SERVICE. The current bridge height and neck angle was reached around 1910. Any dealer would want to find this as part of an estate sale and put it out to see what the market would bear - but none would have high hopes for its value. The numbers are preceded by letters: A, B, C, or D which indicate the series. http://www.mugwumps.com. Saga Bella Voce 70/80. By 1939 the 3 tone bar system was reduced to 2 tone bars and the angle of the X braces change to approximately 95 degrees. The hurricane of September 1938 destroyed the companys ability to manufacture anything. This is a strong playing. The instruments had modified fan bracing and asymmetrical bridges. Late 1960's Gibson Logo around 1969 with no dot over the "i". There is a utility market though. The story of how Greg Deering came to own the over 130 year old Vega trademark is one of childhood dreams and an unmissable opportunity. Though there appear to be exceptions, necks between 1912 and 1923 are 3-piece mahogany. Gretsch started a new serial number system. Most have the patented L&H tailpiece shown in the inset. Gibson had changed its neck profiles and headstock shape on the successful J-Series. The appointments roughly followed the Southerner Jumbo but the design was primarily electric: it had a 3-ply top with ladder bracing to reduce the low-end response for the single coil pickup placed at the base of the fretboard. The somewhat radical headstock shape was discontinued at Gibson with the Mark Series but appears to have been an influence on the young Paul Reed Smith who later used a similar shape for his electric instruments. The electric version included a P-90 pickup at the end of the soundboard like the later versions of the J-160E. feature both a serial number and a FON. It had a 24 3/4 scale and was constructed of all solid woods. The first Gibson J45 guitars were only slightly different from the discontinued J-35. The following numbers are the earliest known serial number for the year listed. The following are believed to be accurate known numbers: The following serial numbers are approximate at best. You can buy the book here on Amazon and I would highly recommend it. The 1934 was single bound, front and back with dot markers on the rosewood fretboard and a horizontal script logo inlay on the headstock. The 1934 version had a classic Gibson sunburst: the small amber center around the bridge about 1/4 of the top area. (Numerical ID) Example: Serial number 0191456 = Harmony Standard Series guitar built in 2019. Richard Schneider and assistant Abe Wechter acted as the on-site, full-time luthiers to collaborate and develop Kashas theories and bring them to a manufacturing reality. Maybell was a Slingerland brand name. The first two digits tell you the month the banjo was built, the last two digits before the dash or space will tell you the year, and the numbers . Michael Wright has compiled one of the largest picture galleries of headstock photos in his book "Guitar Stories Vol. Angled (Tilted-Back) Headstock. Features: Carved curly maple body, with ornate multilayer binding, laminated maple neck, ebony fingerboard with abalone block inlays, gold-plated hardware throughout, two gold plated pickups with separate volume and tone, three-way selector switch. Script Gibson logo, Fretboard: Twin parallelograms inlays unbound 19 fret. Many have no identification at all. Number on headstock, Open Back, Pink OHC liner, Klusons with white plastic buttons, bound f/b: I/N Auction 8/2007 : 1962 : 88909: RB-180 . This was adapted to the mandolin over the next few years. Edited by - rfvelk on 12/26/2013 17:31:36, Blake507 - Posted-12/26/2013: 22:24:21. It is the only typical American (USA) instrument, starting off as an instrument of the African slaves, then via the Minstrel Shows becoming part of typical American music styles like Jazz, Dixieland, Bluegrass, etc. Several other forces were at work for change: Introduced 1963, these were designed as dual-purpose instruments. It is important to note that there are exceptions to every rule and the following is only a general guide for identifying Gibson A Style mandolins. JR3H, like JR, but with 3-piece back, herringbone binding & gold tuners. The Advanced Jumbo has been described by some as the finest no compromises most powerful flat-top guitar Gibson ever designed and built. It appears that many mandolin owners of earlier models chose to upgrade their bridges to the fancy new adjustable models after 1921. It was available with a Snakehead and had a shaped fingerboard extension. Ohio banjo player Steven Moore has his first solo project, Just a Little Talk with Myself, just recently released. David L. Day was in his 70s. thurgood marshall school of law apparel Projetos; bubble buster 2048 town Blog; cell defense the plasma membrane answer key step 13 Quem somos; how to make a good elder scrolls: legends deck Contato; hillsdale college football. Gibson believed that these choices would allow them to focus on their more profitable lines. The focus of the site is antique and vintage banjos and mandolins, but there are . The 5th string on a banjo lies within easy reach of the right-hand . Worthy of mention is the Jumbo Deluxe, though it is believed that only 3 were ever made in 1938. A Style mandolins were symmetrical and shaped like a teardrop. The Southerner Jumbos were the most expensive flat-top guitars Gibson offered at the time. This was available in brown, black or blonde finish. This is the smallest model, chrome tuners. Mark Johnson; Regular Hours Mon-Fri: 10:00am-4:00pm Extended Hours January-April 8:30am-5:00pm; 239 West 400 North, Lindon UT; 801-785-3161 Gold-plated tuning gears, LOTS of abalone inlay. The Jumbo 55 (J-55) was introduce in late 1939 and discontinued in 1942. GIBSON GARAGE FIND A DEALER GIBSON APP. Alternates can range from standard designs out there in the banjo world, old or new, or a custom. In 1893, he patented a banjo neck fitted with a channel for the 5th string to pass through so it could be tuned at the headstock instead of its usual location. Vega continued to mark their banjos "A.C. Fairbanks" until the middle teens. Collector's Corner
. A-series Factory location: New York City from start to 1971. I chose a .090 binding that is layered, for a nice pin-striped look and Stewart MacDonald Guitar Shop Supply makes the perfect set of bits for routing headstock for binding called Piloted Binding Router Bits. 1955: Gibson stopped scalloping the bracing it was faster to produce but not as strong. The Gibson Super Jumbo first appeared in 1937. Find the worth of your vintage banjo from 1920s to 1970s. 615-264-4959. The labels with an image of Orville Gibson are generally found on instruments with serial numbers below 10,000. My understanding is that only 12 of these particular banjos were ever manufactured by Kay. Gibson style one piece flange, probably zinc, also Gibson style flange brackets, 4 resonator screws. The 5th string is not only shorter than the other four banjo strings, but this string is also the highest in sound (or pitch ). Each model of the Mark Series was available in natural or sunburst finish. They generally had birch or walnut back and sides sometimes flat and later (1904+/-) carved. Banjo serial numbers: During the 1920s, Gibson instruments were made in lots of 40s (for the most part, this procedure continues today). Martin introduced their versions of acoustic-electrics: the D-18E in 1958 and D-28E in 1959. They are available for binding that is .060 and .090 binding. Sometimes a higher model number means a bigger and fancier instrument but there does not appear to be a thoughtful of consistent method for ascribing model numbers. Research our price guide with auction results on 40 items from $35 to $2,928. The second type of headstock, as you can tell by its name, is the angled or tilted-back headstock. There were 431 made. In some cases, teachers would purchase these instruments and put their own names on them, but in many other cases they carry no identifying name at all. CLR, Classic guitar with Indian rosewood back and sides, decorated binding, gold tuners. The USA distributors in the 60s and 70s used their own serial number systems and we do . These appear to have a unique serial number scheme. Jun 24, 2020 - The Art of Banjo Headstocks. Post war logo, 1947/8 to '60s found on various guitar like Melody Maker, Les Paul Jr, Special, Lg0, Lg2, Sg Jr, Special, ecc, ecc.Note the dot link to G. '70 Gold logo - Decal instead silkscreening. Like everything else, we have seen exceptions to the listed dimensions; especially the nut widths. Though you were told there was only12 of this model made, it will not be any more valuable than if there 10,000 made. The best way to date Larrive instruments is by the instrument labels. 1976 $929 In June of 1976 the price rose to $999, and two new finishes were added: tobacco sunburst and natural maple. (The 1st year of the J-45 actually had similar appointments but they were reduced and simplified for model clarity in 1943). The intent is to provide a rough dating guide. These can exist on any model numbers including the A-jr. Like the SJ-100 of the same year, the J-55 had a stair-step headstock that persisted for only 2 years. Only about a dozen were made. The bridge were early simple rectangular with through-saddles. MIDWEST BANJO CAMPJune 1-4, 2023New Manchester, IN, 'Pisgah Banjo Co. raffle for Arnold Shultz Fund extended to March 10, 2023' 2 hrs, 'Pisgah Banjo Company banjo raffle extended to March 10' 2 hrs, 'Lost Indian: Samuel Bayard collection ' 3 hrs, 'Lost Indian: Samuel Bayard collection' 3 hrs, 'Flinthill FHB-300 - Killer bluegrass banjo for the money!' 156137I know this is a mandolin forum, but the admins suggested I start here. ss stewart presentation banjo - Google Search. I'll have to record it and post a tune. Other singing cowboys who later owned Super Jumbos include Roy Rogers and Gene Autry. Customers can choose from these shapes or provide an alternate. After October 1930 the body and style designations and the serial number appears stamped on the neck blocks: Since the Larson brothers built guitars for many brand names, identification can be difficult, but there are a number of stylistic and structural building techniques that help narrow the exercise. Yet somehow, there's a certain cool factor to this one. ', 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo', 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head', '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck'. Manchester University, Instruction * ConcertsJams * More
The following versions evolved quickly to 14 frets clear of the body. 1921 early: 3/8 adjustment wheels, short base and aluminum compensated bridge top. Most
and many were left unmarked. Yuletide. Identification: "A" Style mandolins were symmetrical and shaped like a teardrop. They had dot markers on the fretboard and a moustache bridge with individual adjusters on each string. 593 Similar to 590 but with pearl (vs ivoroid) tuner buttons. Though it has gone through a number of refinements over the years, the basic design has not changed since. The other digits in the serial number can tell you when your banjo was made. During 1942 two new models were introduced to the Gibson line-up to replace the J-35 and J-55. Similar to an A2 except for the top color: an orange top in the teens, and a white top (refrigerator-top) in the late teens and early twenties. Naming the parts of a banjo. Gibson needed to revitalize its lineup of flat-top guitars the LG-Series was born. For example, the serial number 90237XXX corresponds to a production date of 1/23/97. There can easily be more numbers within each year listed. DVD-quality lessons (including tabs/sheet music) available for immediate viewing on any device. New guitars were supplied with user applied pick guards, and extra saddles of different heights that could be easily inserted to adjust the string action to accommodate the swelling of the instrument with seasonal humidity changes. Starting in 1923, models included: the Silver Bell, the Super Banjo and the Blue Bell. Rated 5.00 out of 5. That being said, and allowing for the large numbers of prototypes and other Gibson anomalies, the following can be used s a guide to help get close to a proper model identification and its year of production. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/276603. Our 19th Year * Sign Up Now
Carl and August Larson built instruments between 1900 and 1944. If you count the plies in the rim it is about 12 or 13 which is what I have seen in a lot of Asian banjos. CMI acquired Gibson around May 1944. 2 foot pressed arm rest and flat head tone ring. They are very pricy at over $20.00 each, but worth it if you want . The early models had shallow neck sets and low bridges that increased in angle around 1908 with taller bridges. The only available finish was sunburst until 1954. A2-Zs were theoretically made during the Loar period of 1921-25, but only between 1923 and 1924. They were the J-45 and the Southerner Jumbo. The fingerboard typically has inlays made of silver or steel. Start your day off right, with a Dayspring Coffee At least one model, the Epiphone Spirit, was manufactured in the USA during the early 1980s in the Gibson factory in Kalamazoo, MI. The hardshell case had a green or red silk lining. Because there are few of these instruments around, little has been written about them, though some did find their way into the hands of influential artists of the day. Check out our banjo decal selection for the very best in unique or custom, handmade pieces from our bumper stickers shops. The last of the Mark Series was built in 1979. Kluson tuners no longer had circle stamp (exposed gears riveted instead of screwed in place) and shaft size of 7/32 to save wartime metal. The grade of top wood was tighter grained. These were Gibsons first flat-top cutaways. Dr. Michael Kasha was a chemical physicist and the director of the Institute of Molecular Biophysics at Florida State University. Google Play. The pot fairly screams Iida to me. Most information about Larson Brothers instruments comes from their catalog published around 1930. Q: What is the first step in determining the age of my banjo? The bracing for the new larger models was X braced: there were 3 transverse tone bars between the braces 1 more than the Martin as Gibson experimented with bracing design heavy enough to support the large tops and light enough to be resonant and responsive. In some cases there are no pickguards. It appears to be all original except for the bridge, which appears to be a banjo bridge crudely slotted for 8 strings, and the head, which is probably plastic. Since Spruce was needed for the war-time effort, some J-45s in 1943 have a mahogany top. Frets refers to the number of frets that are clear of the body. The L-series is very difficult to properly identify and date as they were inconsistent in their appointments and the catalog descriptions do not always agree with the actual instruments produced. Example: S3021234 = Samick Korea / 1993 / February . See the notes below. At least then you will know the model name. Inlays and bindings are remarkably consistent through the years. Description: Internally constructed from dense EPS foam, the exterior of this Gator banjo case is covered in rugged 600-denier ballistic . Deering Gabriella 5-string banjo headstock. Due to the plain marks on the bracing, it is believed that every top was tuned by the same Gibson employee. A total of 2,477 J-35s were made according to Gibson records. 30, 1909. The model started production in 1938 as Gibsons top-of-the-line flat top guitar. The early models had shallow neck sets that increased in angle around 1908. Example: U8034853 U = Unsung, 8 = 1998, 03 = March, 4853 = manufacturing number. New Location:
Gold script Gibson logo, Pickguard: Tiger-striped & teardrop shape, Finish: brown sunburst top finish, dark brown mahogany back and sides and neck, Body Binding: 7-ply top binding and single ply back binding, Tuners: Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic button usually white but sometimes black), Tortoise-shell teardrop pickguard replaced the tiger stripe material, Single bound top and back, multi-bound rosette, Mahogany neck but a few Maple necks with a single walnut stripe down the center (3 piece neck), Three layer w/b/w tops and single layer back binding, Mahogany neck block with beveled sides, changed to a mahogany neck block with square sides, Tuners were 3-on-a-plate Klusons with exposed gears and Kluson Mfg Chicago and Pat. stamped into the plate in a circle around the attachment screws, plastic buttons (usually white but sometimes black) and 1/4 diameter posts. ARCHIVED TOPIC: VINTAGE BANJO IDENTIFICATION. At the turn of the century, Orville Gibson was refining his notion of the superior mandolin: carved in the tradition of violins for greater volume and tone as well as comfort. Manchester University, All Forums
G Edward Porgie - Posted - 06/16/2021: 14:40:30. The more economical Student Grade instruments were often ladder braced. It was available with a brown finish and came as a snakehead or paddle headstock. Wiley Morris of the Morris Brothers Hillbilly Band and Charlie Monroe (Bill Monroes brother) took to the instrument for its potential in the roots of Bluegrass music. The Larson bridge, if not otherwise specified by another company, is a rectangular flattened pyramid ebony style similar to those used by Lyon and Healy. banjos. By the records, between 200 and 300 were built. Early 1970's block shaped no dot over the "i" closed "b" and . These appear to be the easiest to find and quite reasonable to buy. Factory Order Numbers (FON) in the 2800s to 2900s and 300s to 500s and some in the 600-800s and 1000s range. The 31 year old part time musician has mostly been found on the contest stages in recent years, taking first in the National Bluegrass Banjo Championship twice, and in the RockyGrass, RenoFest . Your banjo is Asian made, likely Korea, but maybe Japan. Tstyle of tuner lasts into early 1943 (FON 2221 last documented series with this tuner style), Late 1942 poplar neck blocks (Late 1942 FON 2119 with FON 2143 being the last documented series with mahogany neck block.). As for how I came to own the instrument, my grandmother's cousin was an instrument collector. Similar to A-2 but with snakehead headstock, blonde finish, b/w binding, and A2-Z on the label. Generally harp guitars, L.H. To accommodate the pickup, the standard production neck was pushed up to a neck-body joint at the 15th fret. themselves through common hardware and design characteristics.
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