This provides a clean and transparent sound, while generating a little more heat than other designs. Called the Diaphragm Stabilisation System, or DSS, this smart technology protects the active diaphragm, preventing excessive excursions or rocking motions during plosives or physical knocks. This model is renowned and remains a favorite choice of many musicians. The switchable polar pattern also gives you that extra control to tailor your sound to the vocalist and the environment. When comparing the sound of the KSM9 vs KSM8s, I found them both to have a great sound. Its priced for pro users, but the KSM8 is a beauty of a mic that ditches the all-rounder status in favour of vocal live performance and reinforcement duties. The nicely tapered die-cast aluminium body is available in a brushed nickel or black-painted finish, with overall dimensions of 188mm x 48mm. Strategically positioning and bringing to life new brands. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. . Taking its inspiration from Shures classic Unidyne III capsule (thats the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver a more consistent polar pattern. Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. Both mics have very similar specs and a similar size, weight and design. Always works in a rock setting. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. KSM8. Enter the KSM8. SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. Boston, If the vocalist presses their lips against the grille there is a small but noticeable increase in the bass end, but it really is very moderate in comparison to most stage mics. Professional vocalists are always repositioning their mics to change the tone and add expression to their performance. Balancing bullet-proof reliability, technical sophistication and dynamic stage ready appearance. The lows are being naturally rolled off to avoid that unwanted mud and boominess. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . PA Consulting. Zippered Carrying Case for KSM8. KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. The KSM8 retails for a couple of hundred dollars cheaper than its condenser counterpart, and is aimed at a slightly different consumer bracket. High sensitivity condenser mics are very good at picking up detail (both close-up and at a distance). This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. Its most sensitive on-axis (at 0 degrees), but also picks up sound around 65 degrees either side of the mic. This might also be a good setting for backing vocals, to get more separation between neighbouring singers. A crossover at 500Hz combines the two capsule outputs to produce the final signal, much like a two-way speaker working in reverse! The Shure engineers originally patented this technology over 50 years ago, and Shure is the only microphone manufacturer to successfully implement it. Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. As a premium mic, the KSM9 is certainly pricey. Q. Review: Best Wireless Mics to date For pros & Noobs! shure ksm8/n; . In Summary. Theyre both handheld condenser mics optimised for live performance. 10 Albums That Are Complete Masterpieces According to You! For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. Find out more about how we test. Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . In other words, the acoustic impedance of the diaphragm increases as the frequency gets lower. Moving significantly beyond that range causes the bass level to fall off gently, and by 600mm (two feet) there is an obvious but still gentle attenuation of frequencies below about 100Hz. However, there is a small amount of sensitivity at the rear of the mic (called a rear lobe). In a directional microphone, sound waves are generally directed towards the rear of the diaphragm through an acoustic labyrinth, which effectively introduces an audio delay. While the KSM9 offered Cardioid and Supercardioid patterns, the KSM9HS offers Hypercardioid and Subcardioid (wide cardioid), selectable via a switch under the grille. This helps maintain richness and definition in the bass, without it becoming overwhelming. On stage, the wider cardioid pattern is more suited to singers who move around the mic a bit more. A25E. Big venue or loud stage this mic will definitely cut through the . Shure Product Manager, John Born, was one of the small development team that worked on the KSM8 project. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. On the other hand, condenser mics are less sonically limited than dynamics, and can deliver a lot of detail and clarity. For a vocal dynamic mic, this is expensive. It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. Through a multi-disciplinary partnership from research to development, Essential partnered with Shure to help establish user experience principles and a design language for their wireless and wired microphone . Heres how it works. This model is renowned and remains a favorite choice of many musicians. This helps to achievean extremely fast transient responseand make the sound more vivid. Also, what's your use case, as this will probably help us guide you towards to best choice! The KSM8 really is impressive for a dynamic mic. The KSM8 has more of a presence peak in the upper mids, whereas the KSM9 feels more transparent throughout the high range. The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. I work with a female vocalist who is looking to upgrade her microphone. Shure: KSM8 & KSM9 Microphones. This is a small, low voltage current sent to the microphone from a microphone preamp, mixing desk, or audio interface. For noisier setups, the tighter supercardioid pattern does a good job of rejecting off-axis noise, which reduces feedback and stage bleed. However, even so it is still significantly less expensive than many high-end capacitor stage mics, while it boasts some very useful and unique sonic and pragmatic advantages. Crucially for a live condenser, theres also a suspension shock mount. As does the KSM9, the HS employs a dual-diaphragm, prepolarized, 3/4-inch capsule . The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. 3:26 What We Heard It is intended for vocal use. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum.As polar patterns go the KSM8 boasts a remarkably consistent cardioid response, with an excellent rear null across most of the frequency range, and Shure claim it to be the purest cardioid polar pattern the company have developed to date. Basic Analog Systems. Shure's KSM8 has been custom-made for live vocal reproduction, providing the near-exact sound of your voice through a PA or recording desk. Comparison of Shure KSM8 and Shure KSM9 based on specifications, reviews and ratings. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. But a supercardioid pattern would be better when recording a full band in a single room. We develop services as multi-channel brand experiences that empower people in meaningful ways and deliver value for both the user and company. This makes it ideal for recording vocals or instruments in a studio setting. 5:52 Thanks for Watching! The views expressed are those of the contributors and not necessarily those of the publishers. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! Off-axis frequency response is very smooth. The Neumann KMS 105 is a great choice for studio vocals. I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. A dynamic microphone revolution that only Shure could stage. A cardioid polar pattern picks up sound in a heart shape around the front of the microphone. On first listen, the two mics have a similarly clear and transparent sound. Keep in mind, Heil mic is more sensitive, which is both a pro and a con. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0 Shop Shure KSM8 Du. Some sound engineers also favour the increased directionality of a supercardioid when recording drums or other instruments. Singers with quieter voices will find that a live condenser mic can better convey the emotion and intimacy of their performances. Now available as a wired microphone, it's available both in champagne silver and charcoal black finishes. Consider helping Sound Forums keep the lights on. Traditional microphones confine the performer to a specific distance from the microphone. If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. 1.93 in. Itmaintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! It is made from high-quality components, which ensures that it delivers excellent sound quality. In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. Shure Tech Portal open_in_new. Theyre reliable, and lots of them sound great. At first glance it looks just like any other conventional stage vocal mic there's nothing in its styling that signposts the clever technology within. With solid internal engineering, it handles noise and feedback well. Hi Peter 5 () The head of the mic is 49 mm (1.9) and it weighs in at about 300g (10.6oz). The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. and all parts are high grade. Shure describe the KSM9 as the first-ever handheld condenser with dual diaphragms and switchable polar patterns. Naturally, the latter influences the price greatly, and the KSM8 is consequently the most expensive moving-coil stage mic currently on the market. 27 Wormwood St As a condenser designed for gigging and live use, the KSM9 is perfect for anyone looking to bring a high quality studio sound to the stage. BACK. Taking its inspiration from Shure's classic Unidyne III capsule (that's the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver . The younger sibling of the KSM9 is the Shure KSM8. Shure KSM9 Multi-Pattern Condenser Microphone. The cardioid capacitor microphone was conceived in 1935 by Dr Hans Joachim von Braunmhl and Dr Walter Weber, both working for the Reichsrundfunk Gesellschaft (RRG Electroacoustic Laboratories) in Germany during the early 1930s. Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9. DUAL DIAPHRAGM TECH. At the rear of the diaphragm the acoustic combination of these separate signals with altered phases and amplitudes results in an accurate cardioid polar pattern with a greatly reduced proximity effect. Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail. By applying our craft in market contexts, we deliver solutions that empower end users, energize the channel, and strengthen businesses. The well-balanced and tapered body is comfortable to hold without risk of obscuring the rear ports. Always hold the vocal mic by the main body, and if theres too much sibilance, try holding it slightly to the side. If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. Less spiky in the high mids, which means it sounds a lot better soloed, but doesn't sound as up front with a band. A cardioid polar pattern shouldnt pick up any sound from the rear of the microphone. SHURE KSM9/CGShure118800! On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. This mic has all the detail and nuance that youd expect from a studio condenser. Available colors: User rating: 71. As a premium vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for . Theyll deliver a higher quality sound than dynamic mics. I work for a medium sized provider in the UK, we have 16 channels of UHF-R (a mix of UR4D and UR4D+). You may use these HTML tags and attributes:
, In this article, you'll learn how to choose professional and budget, Copyright 2015 - 2023 Microphone Geeks LLC, AKG Pro Audio D7 Reference Microphone Review, Sennheiser e965 Review Switchable True Condenser, Shure Super 55 Deluxe supercardioid prop mic review, Sennheiser e845 review budget supercardioid, MaonoCaster E2 (AME2) review production audio interface for streamers, Maono PD400X USB / XLR podcast dynamic microphone review, Pixel Voical Lark X Wireless Lavalier System Review, Azden SGM-1X Short Shotgun Microphone Review. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. If you want the best quality XLR cables, try these. In terms of frequency response, the sound ofKSM9 is very well tailored, and it doessound much better than a typical flat-response condenser. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. But there are some differences. The idea is that sounds from the rear take the same amount of time to reach the rear of the diaphragm through the labyrinth as they do to pass around the outside of the microphone and impact on the front of the diaphragm. Ultimately they often sound better. XLR cables are the only cables capable of carrying phantom power to the mic. Theyre balanced, which means the cables are shielded from interference and carry a higher signal than unbalanced cables. The grille interior is lined with a hydrophobic woven fabric. Human factors engineering ensures that medical devices and combination products are safe, effective, and easy to use, while also ensuring that the products meet commercial and regulatory imperatives. We have both b87c and b87a capsules for our handhelds too, but these don't see anywhere near as much use. Thats a tough one. As for music genres, KSM9 works best with latin, jazz, pop music, rock and similar. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. Shure Audio Institute. Just commenting again on the visuals for a moment, the KSM8 is a very elegant and classy-looking mic indeed, and if I didnt know better Id assume from its shape and styling that it was a capacitor mic rather than a moving-coil design. Essential was founded with a belief and mission to empower people through design. The capsules that see most demand are beta58s and KSM9s. There were four models in AKGs dual-capsule range, starting with the D200. Braunmhl-Webers innovative capsule design was patented in 1936, and introduced commercially as the famous M7 capsule employed in all of Neumanns early microphones. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. This mic offers dynamic lows, balanced mids and sparkling highs. I think the champagne looks very chic! The grilles are of course replaceable Yet, considering the price of the unit, youd still want to treat it with all due respect and I hope this is a no-brainer. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. I prefer the KSM9 over the Beta87C. Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. This is, of course, complete nonsense: new developments are still appearing quite regularly, bringing substantial improvements in quality and accuracy, reliability or manufacturing costs. A Sweetwater Sales Engineer will get back to you shortly. The Shure KSM9 is a condenser microphone, so it does require phantom power. The Neumann KMS 105 microphone is the choice for professionals who demand excellence in their recordings. And lets hope youre not positioned next to the drum kit! Go for the shorter lengths where possible. It is also nice to admit the technological advancements implemented in this unit. I prefer the KSM9 over the Beta87C. The Neumann KMS 105 is a condenser microphone that is designed for studio use. New Loops Releases 'Twin 3 Pro Expansion' 30% off intro discount! $621.00. Its not something I could actually hear. However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. A85WS Black foam windscreen for KSM8, SM58, SM86, SM87A, Beta 87A and Beta 87C A25E Black, Soft-flex Swivel Adapter for KSM8 and KSM9 RPM266 Black replacement grille for KSM8 wired and wireless RPM268 Brushed Nickel replacement grille for KSM8 wired and wireless. However, the proximity effect is not the only aspect of the capsules behaviour that is changed by the addition of a rear passive diaphragm. From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot.
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